Naomi Louisa O’Connell's performance in the role was nothing short of breathtaking… She is a phenomenally versatile, intelligent actress, with the ability to inhabit any role she plays with equal commitment and skill” - OperaWire, Least Like The Other with Irish National Opera, 2019
"Irish mezzo-soprano Naomi Louisa O’Connell was a wistful, other-worldly Mélisande." - Musical America, Pelléas et Mélisande with the Cincinnati Symphony, 2017
"A natural in the recital format, winning over the audience with her rich, silvery voice and charming stage presence." - The New York Times
'Naomi Louisa O’Connell does a spectacular Lady Macbeth, hurling it virtually through gritted teeth as Callas torments her.' - The Times. Terrence McNally's Master Class, 2012 West End production.
"Coloratura to the gills, O’Connell is, inescapably, the big hit of this production." - Roderic Dunnett, The Arts Desk. Offenbach's Vert-Vert at Garsington Opera, 2014.
"Naomi Louisa O’Connell develops compellingly from the first play as her feisty, resourceful Rosine becomes the elegant, subdued, self-doubting Countess." - The Star-Ledger. The Figaro Plays at McCarter Theatre, 2014.
“Naomi Louisa O’Connell was marvellous in the trouser role of Cherubino, sparkling with her glorious arias . . . ” - The Art Scene in Wales. The Marriage of Figaro at Welsh National Opera, 2016.
Stellar reviews for “Least Like The Other” world premiere
“The opera’s only singing part was played by Naomi Louisa O’Connell, whose performance in the role was nothing short of breathtaking… She is a phenomenally versatile, intelligent actress, with the ability to inhabit any role she plays with equal commitment and skill”
“This triumph of a production has compassion at its core, and a bravura performance by O’Connell gives voice to the girl who was voiceless.”
“Created by composer Brian Irvine along with director Netia Jones, the stage is dominated by the wonderful voice of mezzo-soprano Naomi Louisa O’Connell as Rosemary.”
Naomi stars in world premiere LEAST LIKE THE OTHER with Irish National Opera
Naomi returns to Ireland for the world premiere of LEAST LIKE THE OTHER, an explosive and thought–provoking work of experimental music theatre, tracing the fragmented events of the life of Rosemary Kennedy. She will be joined by a cast of two actors, Stephanie Dufresne and Ronan Leahy, and a chamber ensemble of fourteen musicians in this premiere production, presented by the Galway Arts Festival. Composed by Brian Irvine and directed by Netia Jones, the piece will be conducted by Irish National Opera’s artistic director Fergus Sheil.
Pulitzer Prize-winning composer Ellen Reid’s RUN delights audiences
In RUN, a short operatic scene performed in a hybrid jungle gym/sound sculpture designed by Ellen Reid, ICE percussionists Ross Karre and Clara Warnaar teamed with mezzo-soprano Naomi Louisa O’Connell, with the former playing on swings, slides, and chains as the latter intoned chant-like melodies through a length of metal pipe. More to do with the stylization of childhood curiosity than with any concrete narrative, the work alternated rhythmic episodes with reflective, ambient passages in which a wide-eyed O’Connell traversed different parts of the installation while singing in a dark, rich timbre. – Andrew Stock, I Care If You Listen, 5/2/19
Placet futile – Ravel (Trois Poèmes de Stéphane Mallarmé)
The Irish Ballad - Tom Lehrer. With Brent Funderburk, piano. PBS recital broadcast, Peoria IL, 2018.
Ich bin von Kopf bis Fuss auf Liebe eingestellt - Friedrich Hollaender. With Brent Funderburk, piano. PBS recital broadcast, Peoria IL, 2018.
Happy those who, placing their delight
In slight things, are never deprived
Of each day’s natural fortune!
– Fernando Pessoa (translated Richard Zenith)
A conversation with….CHRIS BERG.
September 30, 2013
Over a cup of coffee at Café du Soleil on the Upper West Side, Naomi chats with composer Chris Berg about his love for poetry, his work and life in New York City. This interview gives us a brief insight into the man behind the compositions.
Ten Songs to Stop You In Your Tracks
February 11, 2014
Ten songs: all different, all wonderful in their own delicious, wacky way. They never fail to stop me in my tracks when they come on my iPod.
Well worth a listen!
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RT @HeaneyDaily: I felt the beating of the huge time-wound
We lived inside. My soul wept in my hand 2 days ago
RT @altojane: Social distancing is like asking a choir to sing pianissimo - it only works if everyone does it. 3 weeks ago
Passed a woman playing her cello in a secluded spot of the park yesterday, saying she thinks her neighbors are prob… https://t.co/6cxp83PuU83 weeks ago
ABOUT NAOMI LOUISA O'CONNELL
Hailed by The New York Times as “radiant,” Irish actor/singer Naomi Louisa O’Connell made her critically acclaimed stage debut opposite Tyne Daly on London’s West End in Terrence McNally’s play Master Class, produced by Sonia Friedman at the Vaudeville Theatre in 2012. The Times called her performance “…spectacular,” and The Independent lauded her “…thrilling rendering of an aria from Verdi’s Macbeth.”